For the 101st birth anniversary of origami grandmaster Akira Yoshizawa, Google has posted a paper folding doodle on its homepage.
“Well, that’s, that’s, I’m not gonna go inta, inta … see, I just need money.”
Tiem, kuri vēlas jaunāko Mozilla Firefox pārlūkprogrammu (iebūvētās 3.6 versijas vietā, 8 vai jaunāku versiju) uz sava jaunā CentOS, es sameklēju pāris instrukcijas internetā, apkopoju to informāciju un lūk, soli-pa-solim instrukcija, kā to izdarīt.
(Source: libre-software.net)
More creative USB hubs and sticks :)
(Source: ckck)
Found nice & creative USB designs. Theese I liked most.
(Source: inspirationfeed.com)
Šāda informācija lieti noder, kad negribas domāt un meklēt, vienkārši copy-paste vajadzīgo un lieta darīta…
(Source: shkodenko.kiev.ua)
Pēdējā mēneša laikā, aktīvi strādāju pie jauna projekta - grāmatu internetveikala - izstrādes. Īstenībā, tas vairāk ir interfeiss kādam citam veikalam, nekā veikals kā tāds. Es to sauktu par skatlogu, katalogu, kas tev ļauj šķirstīt lapas, meklēt, apskatīt, katrā gadījumā, tikko vēlēsies iegādāties, tiksi nosūtīts uz citu vietni.
Daudz šķēršļu, ko pārvarēt, daudz faktoru, kas jāņem vērā, datu kešošana, dinamiskā ielāde, meklēšana, u.c. iespējas. Grāmatas tiek ielādētas no amērikas, tāpēc ir zināmas aizkaves, papildus tam, tās ir vairāki miljoni un API ir diezgan “stīvs”. Nu neko, cīnos, veidoju dinamisku un kofigurējamu vidi, kuru varēšu izmantot vēl diviem citiem veikaliem, kas jau stāv rindā uz izstrādi.
Šovakar nedaudz paķēpājos pa koreli, sataisīju pāris variantus, hop.id.lv lapas favorītikonai. Pagaidām uzliku statisko, kaut gan arī šī, uz melna fona neizskatās diezko labi. Gatavoju 64px izmērā, paļaujoties uz pārlūkprogrammas mērogošanas funkciju, cerībā kā nesakropļos kvalitāti, bet nē, sakropļoja. Pagaidām derēs.
PS: Skatos, ka tumblr neatbalsta gif animāciju un neprot saprast to, ka tie attēli nav paredzēti izstiepšanai lielākā par 64px izmērā.
What do Amazon’s product reviews, eBay’s feedback score system, Slashdot’s Karma System, and Xbox Live’s Achievements have in common? They’re all examples of successful reputation systems that enable consumer websites to manage and present user contributions most effectively. This book shows you how to design and develop reputation systems for your own sites or web applications, written by experts who have designed web communities for Yahoo! and other prominent sites. Building Web Reputation Systemshelps you ask the hard questions about these underlying mechanisms, and why they’re critical for any organization that draws from or depends on user-generated content. It’s a must-have for system architects, product managers, community support staff, and UI designers. Scale your reputation system to handle an overwhelming inflow of user contributions Determine the quality of contributions, and learn why some are more useful than others Become familiar with different models that encourage first-class contributions Discover tricks of moderation and how to stamp out the worst contributions quickly and efficiently Engage contributors and reward them in a way that gets them to return Examine a case study based on actual reputation deployments at industry-leading social sites, including Yahoo!, Flickr, and eBay.
Kādas diskusijas rezultātā, ieguvu saiti uz Zetafleet vietni, kurā saprotamā veidā apskaidro, kāpēc setTimeout nav iesakāms lietot, kad ir runa par rekursīvu Ajax pieprasījumu veikšanu. Īsi pēc tam, ehynds vietnē, arī ir apskaidrota metode, kā to darīt ir pareizi.
Viens no lielākajiem dārgakmeņiem HTML5 maisiņā, ir Canvas, kura iespējas vairums vēl nav aptvēris. Kaut gan SVG tipa grafika nav nekas jauns, HTML5 Canvas dod vēl plašākas iespējas, kas ļauj interaktīvi iedarboties uz tās saturu. Lūk arī viens no pielietojuma veidiem: grafiku un shēmu zīmēšana, vadoties pēc sintakses.
JavaScript InfoVis Toolkit ir biblioteka, kuru ir izgatavojuši priekš tam, lai atliktu uzrakstīt 10 rindiņas vienkārša un uzskatāma koda, lai rezultātā iegūtu efektīgu datu vizualizācijas rezultātu.
“This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren’t any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius.” —from the Introduction Art & Fear explores the way art gets made, the reasons it often doesn’t get made, and the nature of the difficulties that cause so many artists to give up along the way. The book’s co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves. This is not your typical self-help book. This is a book written by artists, for artists — it’s about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone-now enhanced by internet posting-has placed it among the best-selling books on artmaking and creativity nationally. Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies. An excerpt: Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work…